"It isn't just for the product of the story or the novel, but it's actually for the experience of that bliss that you sometimes do have when you write, as you're somehow transported or elevated. So that's what keeps you going back. It comes to you free, at first, and then you have to work for it."
Like everything else I've ever done, this film has been about the experience -- the process -- as much as the outcome. In fact, the process is most of the story.
Chris is beginning to edit the film on Monday, so I was prepping some materials for him as I'll be working much of the time. I emailed him thusly:
The general conflict is that I am a PBS mind in an MTV world. This movie is road trip (or mythic journey a la Ulysses). As a proxy for our ADD audience, I try and figure out what Fred meant by "deep and simple is far more essential..." and how to apply it and manifest in my life.
To that end, I'd encourage you to do cut downs based in the attached outline arc assuming that each vignette endeavors to:
a) Flow like a conversation (when possible)
b) Establish person's relationship with Mister Rogers
c) Discern take-away message or lesson that person learned from/in relation to Mister Rogers
The bookings, the ideas -- everything came free at first. Now we're starting to work for it.